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1760–1849 · Artists

Katsushika Hokusai signature

Japanese painter and printmaker, 1760–1849

Inspired by Katsushika Hokusai’s signature
A rendering in a modern handwriting font, made for this page. It is not the real signature; see where to view the original below. Where to see the original ↓Style: Yuji Syuku, slant 0°

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Kristi · 4°

Who Katsushika Hokusai was

Katsushika Hokusai was born in Edo, today’s Tokyo, in 1760 and died there in 1849, aged about 88. Painter, print designer and book illustrator, he made the Great Wave off Kanagawa, the series Thirty-six Views of Mount Fuji and the many volumes of sketches known as the Hokusai Manga.

Japanese artists of his time worked under art names (gō), and Hokusai changed his more often than almost anyone. His signatures are a record of those changes.

The story of the signature

Over his career Hokusai used more than thirty art names. He started as Shunrō while a pupil of the print designer Katsukawa Shunshō, later worked as Sōri, and from around 1798 used Hokusai, the name that stuck. He went on to sign as Taito, Iitsu and finally, from 1834, Gakyō Rōjin Manji, “old man mad about painting, Manji”. He sometimes passed an old name on to a pupil, which complicates attribution.

His signatures often record the change itself. Many prints of the Thirty-six Views of Mount Fuji, published around 1830–32, including the Great Wave, are signed “Hokusai aratame Iitsu hitsu”: “from the brush of Iitsu, formerly Hokusai”. His book One Hundred Views of Mount Fuji (1834–35) is credited to Gakyō Rōjin Manji, formerly Hokusai Iitsu.

In the afterword to that book he wrote that nothing he had drawn before seventy was worth much, and hoped that by 110 every dot and line would be alive. Signatures on his paintings are written with the brush in Japanese characters and are usually accompanied by a seal.

What makes it distinctive

Many art names

Shunrō, Sōri, Hokusai, Taito, Iitsu and Manji, among others, each marking a stage of his career.

“Formerly …”

Signatures such as “Hokusai aratame Iitsu hitsu” name the old and the new name together.

Brush and seal

Painted signatures are written with the brush and paired with a red seal.

A self-portrait in words

“Old man mad about painting” is a signature that describes the artist.

How to give your signature a similar feel

  • For your own name in Latin letters, try Kristi in the Type tab of the signature generator: its scratchy, spontaneous line echoes a quick brush. Keep the Slant at 0° to 4°.
  • Draw a brush-like signature in the Draw tab: press slowly for thick strokes and speed up to taper them, because the pad thins the line as you go faster.
  • Pair your signature with a small square seal-style monogram drawn from your initials, the way Japanese signatures pair name and seal.
  • If you work under a pen name or studio name, sign it consistently, and add your previous name for a while when you change it, as Hokusai did.

Where to see the original

These links lead to archives, libraries, museums and Wikimedia Commons.

Questions about Katsushika Hokusai’s signature

How many names did Hokusai use?

More than thirty art names over his career, including Shunrō, Sōri, Hokusai, Taito, Iitsu and Gakyō Rōjin Manji.

How is the Great Wave signed?

It reads “Hokusai aratame Iitsu hitsu”, meaning “from the brush of Iitsu, formerly Hokusai”.

What does Gakyō Rōjin Manji mean?

Roughly “old man mad about painting, Manji”. He used it from 1834 until his death.

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